Photographer Adrian gaut's latest body of work, new landscapes, explores his long standing fascination with pattern based pictorial representation. He traces his inspiration to the tradition of "all-over" pictures (a term coined by the seminal critic Clement Greenberg) pioneered by the abstract expressionist painters of the 1950's such as jackson pollock and janet Sobel. Specifically avoiding overbearing compositional devices, the photographs, rather arrempt to subvert the perception of scale and obfuscate the subject, prompting a re-evaluation of the landscape on it's own ...